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Andrew Scott Drama Closes Top Cinematography Festival

Elsinore wraps the 34th Camerimage event, joining a competition slate featuring works by Spielberg, McDonagh, and Zvyagintsev.

By Carolina Wood ·

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Audiences at the 34th Camerimage Film Festival will see a new film about a dying Scottish actor close the eight-day event. Elsinore, directed by Simon Stone, is scheduled to screen on November 14, marking the end of the festival’s run in Poland. The selection places a major awards contender at the center of the world’s largest festival dedicated to the art of cinematography.

The film stars Andrew Scott as Ian Charleson, the Scottish performer best known for his role in Chariots of Fire. The narrative follows Charleson in his final days before his death from AIDS, focusing on his determination to complete one last stage performance of Hamlet. Mike Eley shot the real-life drama, which also features Olivia Colman, Joe Locke, and Johnny Flynn in supporting roles. Stephen Beresford wrote the script for the project.

This festival slot follows recent premieres that have elevated the film’s profile in the current awards season. Elsinore first appeared at the Telluride Film Festival before serving as the opening film for the BFI London Film Festival in October. Organizers have positioned the closing slot to cap a lineup filled with high-profile international productions.

The main competition for the Golden Frog trophy includes several other major titles with strong box office or critical potential. Steven Spielberg’s Disclosure Day, with cinematography by Janusz Kamiński, competes against Project Hail Mary, which was shot by Greig Fraser. The latter was directed by Phil Lord and Christopher Miller.

Martin McDonagh’s Wild Horse Nine, photographed by Ben Davis, is another entry in the running. Tony Gilroy’s Behemoth!, shot by Damián García, and Andrey Zvyagintsev’s Minotaur, shot by Mikhail Krichman, also vie for the prize. May el-Toukhy’s Woman Unknown, a winner at the Venice Film Festival and shot by Jasper J. Spanning, rounds out a section of the slate.

Additional competitors include Paweł Pawlikowski’s Fatherland, shot by Lukasz Zal, and Hans Petter Moland’s Growth of the Soil, photographed by Oskar Dahlsbakken. The lineup concludes with Visitation, directed by Volker Schlöndorff and shot by Axel Schneppat. Camerimage operates from November 7 through November 14, with Elsinore serving as the final presentation of the year’s leading cinematography contenders.

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